There seems to be a slew
of bands coming from Canada playing very angst filled music. Bands like
yourself, Nu Sensae, Metz, and of course, Fucked Up, and others making this
pulse pounding punk. What is in the water in Canada that more bands are taking
on this sound?
I'm not sure. Maybe we are
trying to challenge our Canadian reputation as overly apologetic nice guys who
Americans can walk all over? Maybe we're just trying to get away from the whole
Arcade Fire is Canadian rock image. We're trying to separate ourselves from
Diana Krall.
Hailing from Vancouver, how much has
your surroundings influenced your work?
I don't often write about
our city. I write about human relationships, but I am in Los Angeles right now
and yesterday I was standing outside the Chateau Marmont trying to steal their
internet connection and the place was just so pretty. I said to my friend, "I
want to make a record in a new city. Write it and record it." She asked if
we could imagine doing it in LA and my immediate thought was like, "Well,
then it would just a record about LA." Vancouver in itself is gloomy, but
when the sun comes out it's like no other place. It's just so beautiful,
everything is new and the buildings are all made of glass. But as I said, I
write about people. I write about human interaction, so it's more the men in
Vancouver if anything.
The band’s live shows are
simply brutal, how do you manage to do this night after night?
I don't know how I
still have a voice. I try to sleep a lot during the day, but I don't sleep
much. Maybe 4 hours a night. I wake up at 8 am every day, no matter how late we
have been out.
Do you consider yourself
punk, garage, or hardcore or is it all in the same?
I consider ourselves a
punk rock band, I guess. I mean, we are just playing what we know how to play
together. It feel unnatural and limiting to categorize yourself. I remember
when I was talking to Kim Thayll he told me that Soundgarden actively tried to
resist the whole "grunge" label forever, but finally they just gave
it because it was like, "Well, it's just easier. Even my grandmother
understands what grunge is." Like, fuck it. Who cares. People can label us
however they want. It's aggressive music with a strong pop backbone.
Who are some of your
influences?
My grandmother Gerrie Way.
She is the toughest woman who ever lived.
You recently toured with
Iceage and Parquet Courts, what was that experience like?
Iceage were a pleasure and
we made very great tour companions. They kind of hate everyone and we hate
everyone, so the fact that we all got along so well was surprisingly nice. The
first night in NYC, Elias was going on about Taylor Swift, how much he
loves her and I ranted about how she slut-shames and her music is annoying. The
next night in Vermont, he shyly comes up to me and asks if he can decorate the
stage for our set. Next thing I know, he's taping up all these giant pictures
of Taylor Swift to the back drop. It was really cool. Then, I ripped them up
when we played and tried to light them on fire. After that it was like,
"Okay, these boys are cool. These boys are deviant little shits." We
had lots of fun together and we very much respect them as musicians.
Woman and punk have
always been a minority, are you trying to prove that female fronted bands can
rock just as hard, if not harder, than the boys?
I'm so sick of the woman
question. I'm thinking of wearing a dildo on a necklace just to be like,
"Look, I've got a penis too now!" How hard or well one plays music
has zero to do with gender but with work ethic, melodic intuition and talent.
I'm not trying to prove anything to anyone. That being said, I would not trade
being female for anything, even if it means having to deal with these kinds of
questions on a daily basis.
What has been the best
thing about being in White Lung?
Making records.
If you were not in this
band, what would you be doing?
I am a writer, so I would
most likely be at a magazine full time, instead of just freelancing, which is
all I can do because of our touring schedule.
White Lung have
gotten so much acclaim in the blogosphier and from us music journalists, how do
you respond to the acclaim or do you not pay attention to that?
I am glad there are still
some people in this world who can appreciate intelligent music. It's very
flattering.